Treasury Secretary Timothy Geithner says it's up to congressional Republicans to take the next step in budget talks to avoid the pending automatic spending cuts and tax increases at the end of the year.
Brad Hines is a building contractor in Los Angeles who spends a good eight hours a day in his 2008 Dodge Ram. He talked to us from his truck — hands-free, of course.
"I do everything in my truck. I drive from job site to job site. I take calls. I try to get on the computer and clean up daily reports. I answer emails on my phone. I use my truck as a mobile office," Hines says.
The idea of the mobile office is far from new — Willy Loman; the Avon Lady; plumbers; electricians. Now, technology is taking the idea of working from the road to a whole new level.
When Kerri Sparling was 7 years old, she was diagnosed with Type 1 diabetes. Her family didn't know anyone with the disease, so they sent her to diabetes camp — "where every single camper had Type 1 diabetes," she says.
"That was my first sense of not only other people who had diabetes, but a true community," says Sparling.
The director of NASA's Jet Propulsion Laboratory said last week that preliminary data showed the possibility that the agency's Mars Science Laboratory – the six-wheeled rover that landed on Mars in August — had found signs of carbon-containing molecules.
Gary Ross has penned and directed some big Hollywood hits like Big, Pleasantville and The Hunger Games. But for the past 15 years, his obsession has been something much more personal: a Dr. Seuss-ian children's book called Bartholomew Biddle and the Very Big Wind.
It started when Ross got a call in 1996 from fellow screenwriter David Koepp. Koepp was up against a tight budget and approaching deadline with his debut directorial effort, The Trigger Effect. Its heroine had to read an as-yet-unwritten bedtime story to her child.
Over three decades, Ian MacKaye has tested a few possibilities of what punk can mean. His first band to make a national impact, Minor Threat, was a clear outgrowth of the hardcore scene in his native Washington, D.C. His second act, Fugazi, was subtler: four musicians, all songwriters, infusing punk's energy with rhythms pulled from funk, reggae and even classic rock.