Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

In August 2013, Deggans guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. Earlier in the same month, he was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." Deggans serves on the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

Deggans has won reporting and writing awards from the Society for Features Journalism, American Association of Sunday and Feature Editors, the Society of Professional Journalists, the National Association of Black Journalists, The Florida Press Club and the Florida Society of News Editors. In 2010, he made national headlines interviewing former USDA official Shirley Sherrod at the NABJ's summer convention in San Diego, leading a panel discussion that was covered by all the major cable news and network TV morning shows.

Named in 2009, as one of Ebony magazine's "Power 150" – a list of influential black Americans which also included Oprah Winfrey and PBS host Gwen Ifill – Deggans was selected to lecture at Columbia University's prestigious Graduate School of Journalism in 2008 and 2005. He has lectured or taught as an adjunct professor at Loyola University, California State University, Indiana University, University of Tampa, Eckerd College and many other colleges.

His writing has also appeared in the New York Times online, Salon magazine,, the Washington Post, Village Voice, VIBE magazine, Chicago Tribune, Detroit Free Press, Chicago Sun-Times, Seattle Times, Emmy magazine, Newsmax magazine, Rolling Stone Online and a host of other newspapers across the country.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

The long wait for Muppets fans is over: ABC is bringing back the beloved puppets in a prime-time TV series this fall for the first time in nearly 20 years.

News of the new show, called The Muppets, dropped this week as TV networks begin calling producers, stars and studio executives in advance of next week's "upfronts" — the annual ritual where broadcasters roll out their fall schedules for advertisers to score advance sales.

For fans of BBC America's majestically complicated drama Orphan Black, this might be the toughest task they face all year: Explaining to newbies what the heck is going on just before the new season starts on Saturday.

Spoiler alert: Several plot points from the new season are discussed below

The series started with Sarah Manning, a con artist and onetime street urchin, stumbling upon a well-dressed woman who looked exactly like her, crying on a train platform — just before jumping in front of an oncoming train.

Here's why I'm going to miss FX's modern-day Kentucky Western, Justified, so much.

In last week's episode, our hero, unflinching U.S. Marshal Raylan Givens, has ambushed his bitter rival, backwoods Kentucky crime lord Boyd Crowder, shooting at him from across a darkened field on the side of a mountain in hopes of finally putting down the man who is most like his opposite number.

"You've given up everything that you are, so you can murder me," Crowder (Walton Goggins) yells at Givens (Timothy Olyphant) while hunched behind a rock for cover.

Even after an accident with a carload full of pills gets her arrested, Nurse Jackie Peyton can't be honest about her addictions. Especially not while explaining her sudden absence to her ex-husband Kevin.

"Where were you this past week?" Kevin asks, tensely.

"Really, you want to know where I was?" Jackie responds. "I went to a detox program."

"Is that what you call jail?" he shoots back. "I was notified of the accident. The car's still in my name."

(Spoiler alert: Details from the new seasons of several shows follow below.)

HBO's hit fantasy drama Game of Thrones ended last year with the most shocking death of the season: Tywin Lannister's.

Lannister, the most influential power broker in the fictional, medieval-style continent of Westeros, was killed by his son, the tortured alcoholic dwarf Tyrion.

When the show returns with a new episode Sunday night, Tyrion is on the run. The man who is helping him, a scheming spymaster named Varys, wants Tyrion's help.

But Tyrion isn't having it.

(Be warned: Some spoilers about Sunday's episode follow.)

If Mad Men has a mission statement, it's probably this: The times may change tremendously, but people rarely do.

Even when they really want to.

Consider the show's lead character, hotshot ad man Don Draper, a cool, in-control success to those who know him the least. As Sunday's episode begins, he is single again, a second marriage left in tatters due to his wandering eye.

Looks like it took a 36-year-old comic actor from a small British town no one has heard of to bring back the oldest of old-school American TV talk show traditions.

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As its freshman season ends Wednesday night, Fox's hip-hop family drama Empire has emerged as that rarest of birds in the broadcast TV industry: a show where the viewership is always going up.

When the series debuted Jan. 7, it drew a respectable 9.8 million viewers, according to the Nielsen company. But then the show about a family-run music empire achieved something few others have ever managed: It increased its audience every week, growing to 14.9 million viewers on March 4.

It was the kind of moment true-crime TV fans live for but almost never get to see: a suspected murderer seeming to confess his guilt while the audience listens in.

That bombshell admission aired Sunday at the end of HBO's docu-series The Jinx: The Life and Deaths of Robert Durst, capping a six-part series. It unfolded as something of a cat-and-mouse game between Durst, the scion of a wealthy New York family who is suspected of killing his wife, a best friend and a neighbor in separate crimes reaching back to 1982, and filmmaker Andrew Jarecki.