Fletcher Powell

Production Manager and All Things Considered Host

If Fletcher Powell could be someone else, he’d be Errol Morris or Ira Glass. Except younger and better looking.

Since he can’t, he’ll be Fletcher Powell, KMUW Production Manager and host of All Things Considered. Fletcher came to KMUW in 2009 after five years of working in the stock market (don’t ask). He feels like this line of work fits him a little better than that one did.

Fletcher has a BA in Psychology from the University of Kansas and an MA in Communication from Wichita State University. He’s lived in Wichita most of his life, aside from some brief stops in Iowa and Ohio. He likes baseball, guinea pigs, and the Oxford comma.

Ways to Connect

Before I say anything about Logan Lucky, I feel like I should disclose my very strong preexisting bias: I am a Steven Soderbergh fanboy. I’ve seen all 28 of the director’s feature films, and a handful of his television shows, and I think he’s one of the most consistently interesting and entertaining directors of the last 30 years.

The awkwardly named Annabelle: Creation is a prequel to a spinoff of the relatively popular 2013 horror movie The Conjuring. And if that doesn’t quite make sense, or you have no idea what The Conjuring is, don’t worry too much; it’s not that important to know before seeing Annabelle: Creation.


In the summer of 1967, the raid of an after-hours bar in a black neighborhood in Detroit precipitated one of the most deadly and destructive riots in the history of the U.S. 

Four people walked out of the screening I attended of A Ghost Story. I found it to be a profoundly beautiful and sad story of loss and the passage of time, of impermanence and change.

So who’s right? The people who couldn’t stand it, or me, who found the movie’s images and emotions sticking around for days after?

If you’d asked me just a couple days ago if it would matter that I’d spend a good three-quarters of a movie having no idea what was going on, I would have said: Yes. Yes, that would matter. But that was before I’d seen Valerian and the City of a Thousand Planets.

I probably don’t need to tell you that love is hard. But it could be harder.

South Korean director Bong Joon-Ho has no shortage of imagination. His wildly entertaining movies The Host and Snowpiercer jammed together genres delightfully to tell their stories, and now he’s back with the tale of the superpig, Okja.

Let’s just get one thing out of the way right up front—Baby Driver is a terrible name for a movie. I don’t care if it comes from a Simon & Garfunkel song, every time I mention it to people it’s met with skepticism and sometimes even eye rolling.

Luckily, that’s about the worst thing I’m able to say about Baby Driver.

I finished watching The Beguiled in the late afternoon, around that time when the sun is at an angle that creates shadows all around and the world starts to look just slightly magical. And for a moment, I wasn’t sure that I’d actually left the theater.

What is it about dinner at the movies? My Dinner With Andre, Big Night, The Discreet Charm of the Bourgeoisie… the great ones show us something deeper about ourselves and the world we live in.