Jedd Beaudoin


Jedd Beaudoin is an award-winning writer and broadcaster who has been with KMUW since 2007. He is the host and producer of Strange Currency, a two-hour music show, which airs Monday-Saturday from 8 to 10 p.m. He is also the producer of the bi-weekly trends commentary “A Musical Life,” as well as “Musical Space.” He received his MFA in creative writing (fiction) from Wichita State University in 2001 (where he was a Creative Writing Fellow) and holds a B.A. in English (with an emphasis in writing) from the University of Wisconsin-Whitewater.

Beaudoin hosts Wichita Sessions on KPTS Channel 8. The show, which features local and regional music acts in performance, is now in its third season. Since 1999 he has worked as a freelance journalist. He served as music critic and editor for two Wichita alternative newspapers, F5 (2003-06) and Wichita City Paper (of which he was also managing editor, 2006-07). He currently contributes music, film, and book reviews to, where he also pens (alternating with two other writers) commentary on country music for the site’s “Kickin’ Up Dust” column.

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Thursday, December 15

Released just before his death in early 2016, Blackstar was widely received as one of David Bowie’s best albums in more than a decade. We’ll hear selections from that release as well as music from former Bowie guitarist Adrian Belew’s 1997 release Op Zop Too Wah.

Friday, December 16

We’ll celebrate guitarist Aaron Moreland’s birthday with selections from his work with Moreland & Arbuckle as well as music from Tom Page and more.

Saturday, December 17

Gavin Peters

Kendall Newby plays drums and sings with The Comfort Revue, The T**s and Moreland & Arbuckle. Here, he discusses the power of becoming a paid musician and the importance of being versatile. 

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Wednesday, December 7

We celebrate the birthday of musician Tom Waits with selections from throughout his career as well covers of some of his best-known songs from Bill Frisell and Petra Haden, John Hammond and others. 

Thursday, December 8

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“Sometimes it’s uncomfortable and weird,” says Gwynneth Haynes, discussing the creation of her new recent album All Are One. The record marks Haynes’ solo debut after a decade of fronting the Portland, Oregon-based Sophe Lux. With that group she issued records such as 2002’s Plastic Apples and 2006’s Waking The Mystics. The music demonstrated Haynes’ uncanny ability to create songs that were both memorable but filled with dramatic tension and unexpected turns.

IMDB, Rotten Tomatoes

This month, the KMUW Movie Club takes a look at films that traverse time and space.

Riley Day is a Wichita-based composer and bassist who leads the band Daydream. The group’s 2016 release is titled Sit Still. 

“The early stages of when I was in bands—high school and early college—I would try to communicate something to a band mate and they might be able to do it, they might forget it the next week. I wanted something that was a little more concreted. I realized that the only way to do that, out of necessity, was to learn how to academically approach music.

Hugo Phan / KMUW

If you’ve driven by the Harvester Arts gallery on North Washington lately, you may have noticed something different about the building. There’s a new mural there, painted by North Carolina-based artist James Marshall, who also goes by the name Dalek.

Two of the gallery’s founders, Kristin Beal and Kate Van Steenhuyse, say the mural is part of the organization’s larger mission, which is to connect the local visual arts community with artists from other cities.

Hugo Phan / KMUW

James Marshall, also known as Dalek, is a North Carolina-based visual artist who garnered attention with his Space Monkey character, described by the artist as “a strange, vaguely humanoid mouse that [Marshall] would depict in an array of bright colors and twisted circumstances, often wielding a butcher’s cleaver.” 

He used this character extensively in his work until 2007 when he abandoned Space Monkey and began working as a purely abstract artist. Marshall recently completed a mural that graces the Harvester Arts building in Wichita.

Monday, November 28

The musical Lazarus was one several projects David Bowie oversaw in the last year of this life. A new cast recording from the stage production has just been released and, in addition to renditions of classic Bowie material such as “The Man Who Sold the World” and “Changes,” there are three new studio recordings, tracked during sessions for what became Bowie’s final album, Blackstar. We’ll hear selections from Lazarus on this episode of the show as well as music from Pink Martini.

Clay McBride

Speak with Lewis Black for a few seconds and you realize that the comedian has some things on his mind: namely, the 2016 presidential election, something he says has generated its fair share of humor. But, he adds, it’s not necessarily something that has him laughing.

“It’s funny-on-the-surface funny,” he says. “As a comic, I look at it and I laugh. As a person, it’s utterly reprehensible. You’ve got a two-party system. I’ve never been thrilled with either the Democrats or the Republicans, no matter what people think, and the fact of the matter is, this is it. Enough’s enough.