Lindsey Herkommer DeVries

Art Reviewer

Lindsey Herkommer DeVries is from Dallas, Texas. She earned her B.A. in Art History from the University of Texas at Austin in 2007, and M.A. in Art History from Southern Methodist University in May 2012.

Over the course of these two degrees, she focused her research on Modern and contemporary art from the United States, Western Europe, and Latin America.

Currently, she teaches art foundations and art history at Wichita State University.

Ways To Connect

Lindsey Herkommer DeVries

With April’s Final Friday came the opening of Fisch Haus’s women’s invitational XX/7. Originally, the show began with the selection of five female artists, all Wichita-based.

From there, each artist selected the next, and then that artist selected the next, creating a curatorial structure of chance encounters.

Paris-based Dorthée Davoise fractures stone in her Untitled black and white collages of outcroppings, and crystallizes new geological forms - as if distilling memory - on a pristine white pages.

Wikimedia Commons

Traveling to see art is one of my greatest pleasures! Whether it’s hunting for Connie Ernatt’s Troll by the river, or jet setting to a far-flung part of the earth, nothing replaces the joy of going and seeing art. 

Lindsey Herkommer DeVries


March Final Friday was incredible! Yet, there was one show that people raved about, The Six Machinations of Art Expo at Diver Studio—and for good reason.

The exhibition was put on by: Brady Hatter, Nam Le, Mike Miller, Chiyoko Myose and the ever-enigmatic Linnebur & Miller.

Brady’s giant spider robot with 8-foot legs captivated audiences, and will later be installed at Shocker Hall. Playful sculptures like An Alternate to Biology - Wasps on Parade tickled the tops of peoples’ heads, making them squee and smile.


If you’ve been to the Wichita Art Museum to see the daguerreotype exhibition Photographic Wonders but did not go downstairs, you missed a significant show.

Typically, WAM does a call-and-response structure with the main attraction upstairs and a response show downstairs. But this response show, Five Alchemists: Contemporary Photographers Explore 19th-century Techniques, marks three important landmarks for WAM:

I attended the Mayoral Candidate Forum hosted by The Arts Council last week, and I’ve been thinking a lot about what happened.

With few exceptions, the mayoral candidates leave much to be desired when it comes to their understanding of the arts.

The candidates discussed art as: an education issue, a funding issue, a branding issue, a worker retention issue, or a tourism and entertainment issue. This is all art in the service of another cause, which is not inherently bad, just misguided – especially for the audience sitting across from them.

Courtesy photo


The Wichita Art Museum has unveiled their newest exhibition Photographic Wonders: American Daguerreotypes from the Nelson-Atkins Museum of Art. A Daguerreotype is one of the earliest forms of photography. Invented in France by Louis Daguerre in 1839, Daguerre revolutionized scientific observation as well as art. He discovered how to fix an image on to a silver plate with out it fading away – something his predecessors had not yet solved.

Image courtesy of the Ulrich Museum

This Saturday, the Ulrich Museum opens the exhibition Evan Roth//Intellectual Property Donor. Roth’s work lives at the intersection of technology, graffiti and gallery art.

Open source and hacker philosophies are woven through his artistic practice, which also tie into his collaborative endeavors, like the Graffiti Research Lab and Free Art and Technology Lab or F.A.T. Lab.

Image courtesy of the Ulrich Museum

2014 brought us some stellar art exhibitions! Some of my favorites were: the Ulrich Museum’s Bruce Connor retrospective; American Moderns at the Wichita Art Museum; Randy Regier’s installation of TYTON at the Salina Arts Center; and George Ferrandi’s performance for Harvester Arts that gave a small, but lucky audience an experience that changed hearts, minds and opinions on Performance Art – I know it did for me.

Do you know Linnebur & Miller? You should.

This artist duo is comprised of Hallie Linnebur and Meghan Miller. They’re one of the finest examples of avant-garde, contemporary performance art with a soul. Their performances are otherworldly, like their creative powers are channeled through fantastic divination. Their good-natured humor gives the performances warmth and vitality, something beautifully human for audiences to connect with.

In the spirit of Thanksgiving, I would like to share some things for which I’m thankful.