Sanda Moore Coleman

Theater Commentator

Sanda Moore Coleman received an MFA in creative writing from Wichita State University in 1991. Since then, she has been the arts and community editor for The Martha's Vineyard Times, a teaching fellow at Harvard University, and an assistant editor at Image. In 2011, she received the Maureen Egan Writers Exchange prize for fiction from Poets & Writers magazine. She has spent more than 30 years performing, reviewing, and writing for theatre.

Why Theatre?

Jun 22, 2015
archer10 / Flickr / Creative Commons

Some time ago, my producer, Fletcher Powell, asked me to write a few sentences on why theatre is necessary, which he then used to promote my commentary.

I've been thinking about it ever since. Why do we go to the theatre? Why is theatre necessary? What do we stand to gain from the art, and what do we stand to lose if we turn away from it?

Giuseppe Verdi's opera Aida places the age-old tale of star-crossed lovers in ancient Egypt. Elton John and Tim Rice's Aida also tells the story of the military commander who is torn between his allegiance to the Pharaoh and his love for a beautiful Ethiopian princess, but in the form of contemporary musical theatre.

Signs Of Summer

May 25, 2015
Kechi Playhouse

In local theatre, among the seven signs of the impending summer includes the re-opening of the Kechi Playhouse, home of light comedy and farce.

German Federal Archive / Creative Commons Attribution-Share Alike 3.0 Germany license

Everyone from the chef with a soufflé in the oven to the kid playing double-dutch on the playground knows the importance of timing.

Playwright Douglas Anderson tightens dramatic tension with the title of his play The Beams are Creaking, which was actually a password used by members of a conspiracy to assassinate Adolf Hitler. Anderson's play examines the exploits of Dietrich Bonhoeffer, the Lutheran pastor and pacifist theologian who worked for the German resistance and was jailed and later executed for his efforts in the conspiracy.

clevercupcakes / Flickr / Creative Commons

An archetype familiar to us all is “mother." If you aren't a mother yourself, you've most certainly had one.

May is the month that we honor mothers, according to greeting card companies across the country, and mothers everywhere are waiting expectantly for the brunch and bouquet that have become our traditional go-to gifts for Mother's Day. If you think your mom deserves more for her efforts than a champagne cocktail and a corsage, you might try something different—a night at the theatre, celebrating your mother and hers.

Siena College / Creative Commons Attribution 2.0 Generic license

Fairy tales speak to us on a primitive level, according to Carl Jung, who interpreted the stories as symbols in the collective unconscious. Stephen Sondheim and James Lapine took a deliberately Jungian approach when they created their award-winning musical Into the Woods.

DanceCenter No1 / Wikimedia Commons / Creative Commons Attribution-Share Alike 3.0 Unported

She has been known as Katie Woodencloak, Aschenputtel, Cendrillon, and of course, Cinderella. Her rags-to-riches story has been told in books, stage, film, television, opera and ballet. There are versions of it from all over the world. The popular French version of the tale, written by Charles Perrault, is best known for supplementing the narrative with such details as the pumpkin-turned-coach, the slippers made of glass and the fairy godmother.

Mkleine / Wikimedia Commons / GNU Free Documentation License

Theatre loves an old chestnut. Revivals of audience favorites are a never-ending source of stage entertainment. Playwrights from William Shakespeare to Noel Coward to Tennessee Williams to Neil Simon reliably draw audiences who enter comfortably into the production like putting on a well worn slipper.

huntingtontheatreco / Flickr / Creative Commons

Christopher Durang is an actor and playwright known mainly for his satires, parodies and dark comedies. His first professional production, co-written with fellow student Albert Innaurato, was a parody titled The Idiots Karamazov for the Yale Repertory Theatre. It starred another student, Meryl Streep, in the role of Constance Garnett.

Public Domain / Wikimedia Commons

Satire has long been a tool of social and political commentary. Many contemporary critics point to the Greek playwright Aristophanes as the most famous of the early satirists. He used his considerable skills to attack powerful figures in fifth-century BC Greek society, including Cleon, a statesman and general during the Peloponnesian War, who was depicted by Aristophanes as a war-mongering demagogue.

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