Edward Blum studies the history of race and religion in the U.S., and is a professor at San Diego State University. His previous books include W.E B. Du Bois: American Prophet and Reforging the White Republic.
What did Jesus look like? The many different depictions of Christ tell a story about race and religion in America. Edward J. Blum and Paul Harvey explore that history in their new book, The Color of Christ: The Son of God and the Saga of Race in America. The book traces how different races and ethnic groups claimed Christ as their own — and how depictions of Jesus have both inspired civil rights crusades, and been used to justify the violence of white supremacists.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
The best thing about David O. Russell is that he cultivates his disequilibrium. In Silver Linings Playbook, his hero is disturbed and his heroine possibly more so, and his other characters have a grip on reality that is only marginally more secure. Russell might have made them seem the dreaded "q" word — quirky — and OK, he does, a bit, at the end, which broadly conforms to the rom-com template. But until then, Bradley Cooper's Pat Solatano is someone you'd be less likely to dream about than get a restraining order against.
This interview was originally broadcast on Fresh Air on March 26, 2012. When God Talks Back was released in paperback on Nov. 13.
While attending services and small group meetings at The Vineyard, an evangelical church with 600 branches across the country, anthropologist T.M. Luhrmann noticed that several members of the congregation said God had repeatedly spoken to them and that they had heard what God wanted them to do.
When Tony Kushner and Steven Spielberg were working on the film Lincoln, they had many conversations with historian Doris Kearns Goodwin. Her book, Team of Rivals: The Political Genius of Abraham Lincoln, is about Lincoln's relationship with his cabinet. Both her book and the film showcase Lincoln's remarkable political skills.
It seems that every time you turn around, you find another anniversary of some big cultural or historical event. I'm weary of the media's habit of playing all these things up, so I'm abashed to admit I'm about to do just that.
But you see, in the same three-day period I recently saw the new James Bond picture, Skyfall, and Crossfire Hurricane, a new HBO documentary about The Rolling Stones. And because the Bond movies and the Stones both turn 50 this year, I began thinking about how they might fit together.
Tony Kushner based his screenplay for Lincoln in part on Doris Kearns Goodwin's biography of the president, Team of Rivals — but he read many other histories and biographies, in addition to Lincoln's own writings.
Credit Joan Marcus-Hires / DreamWorks Pictures and Twentieth Century Fox
Kushner is the author of the Pulitzer Prize-winning play Angels in America. He also co-wrote the 2005 film Munich.
Tony Kushner spent years writing the screenplay for Steven Spielberg's film Lincoln, but that wasn't the only heavy lifting he had to do. It also took some effort to overcome Daniel Day-Lewis' reluctance to play the title role.
"I wanted to write to him and say, 'Daniel, apart from the fact that you're like one of the greatest actors ever, look in the mirror. God is trying to tell you something — you look like Abraham Lincoln!" Kushner tells Fresh Air's Dave Davies.
In 2009, Susannah Cahalan was a healthy 24-year-old reporter for the New York Post, when she began to experience numbness, paranoia, sensitivity to light and erratic behavior. Grasping for an answer, Cahalan asked herself as it was happening, "Am I just bad at my job — is that why? Is the pressure of it getting to me? Is it a new relationship?"
But Cahalan only got worse — she began to experience seizures, hallucinations, increasingly psychotic behavior and even catatonia. Her symptoms frightened family members and baffled a series of doctors.
Ian McEwan's Sweet Tooth is that oddest of literary achievements: an ingenious novel that I compulsively read, intellectually admired and increasingly hated. By the time I got to McEwan's last sneer of a plot twist, I felt that reading Sweet Tooth is the closest I ever want to come to the experience of watching a snuff film. Think that's harsh? Open up Sweet Tooth and find out what McEwan thinks of you, Dear Reader, particularly if you're a woman, as most readers of fiction are.