Yo La Tengo wouldn't seem to be very rock 'n' roll, given that it's a very stable and long-lasting operation. Since 1991, the lineup has consisted of a married couple — drummer Georgia Hubley and guitarist Ira Kaplan, along with bassist James McNew — and all three play additional instruments as needed. Yo La Tengo has been with the same label, Matador, since 1993. But if the band lacks rock dramatics, I would argue that it knows as much about the modes and manners of rock 'n' roll as anyone who has ever played the music.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:
The Oscar-nominated documentary The Gatekeepers centers on Israel's occupation of the West Bank and Gaza Strip, but from an unusual vantage — not the Palestinians or Israelis on the ground, but six men at the pinnacle of the country's security apparatus: the former heads of the security agency Shin Bet.
Today the Glock pistol has become the gun of choice for both criminals and law enforcement in the United States.
In his book Glock: The Rise of America's Gun, which came out in paperback in January, Paul Barrett traces how the sleek, high-capacity Austrian weapon found its way into Hollywood films and rap lyrics, not to mention two-thirds of all U.S. police departments.
On a new box set collecting the first four albums of Jack DeJohnette and his band Special Edition, two discs are gems and the other two have their moments. DeJohnette's quartet-slash-quintet was fronted by smoking saxophonists on the way up, set loose on catchy riffs and melodies. The springy rhythm section could tweak the tempos like no one this side of '60s goddess Laura Nyro.
Ten months on the road playing Richard III in theaters around the world is a good way to prep for playing a ruthlessly ambitious politician and Washington insider — according to Kevin Spacey, at least.
Just before he took the role of Francis "Frank" Underwood, the fictional majority whip of the House of Representatives who hatches a plan to take down the president in the new Netflix original series House of Cards, Spacey spent nearly a year playing Shakespeare's murderously ambitious king.
In culling through albums released late last year that I still play with pleasure, Paloma Faith's Fall to Grace was a real keeper. In contrast to my joy, Faith was singing about her agony: her broken heart, her wracked sobs about ruined affairs, her choked goodbyes to lovers who'd left her. She made all this sound tremendously intense and exciting. Not for nothing did she title her previous album Do You Want the Truth or Something Beautiful?
This week brings two new high-profile drama series. One is The Americans, premiering Jan. 30 on the FX network; it's about sleeper KGB agents living in the U.S. during the Reagan era. The other is House of Cards, a new series premiering Feb. 1.
William H. Macy is the first to admit that he has played his fair share of losers. His latest role, as the alcoholic, narcissist Frank Gallagher — the single dad of a dysfunctional six-kid family — on the Showtime series Shameless, adds to the list of hapless characters Macy has portrayed on screen and stage.
In a new book, The Insurgents: David Petraeus and the Plot to Change the American Way of War, journalist and author Fred Kaplan tackles the career of David H. Petraeus and follows the four-star general from Bosnia to his commands in Iraq and Afghanistan.
Central to the story are ideas of counterinsurgency. Kaplan says that while counterinsurgency is not a new kind of warfare, it's a kind of war that Americans do not like to fight.