Every New York story ever written or filmed falls into one of two categories. The first — like Betty Smith's A Tree Grows in Brooklyn, or the musical On the Town — regards New York as the representativeAmerican city, a jam-packed distillation of the country's dreams and nightmares.The second group views New York as a foreign place — a city off the coast of the U.S. mainland that somehow drifted away from Paris or Mars. Think every Manhattan movie ever made by Woody Allen.
Author Michael Lewis made a radical request to the White House that he says he was almost certain would be denied: He wanted to write a piece about President Obama that would put the reader in the president's shoes.
To do this, the Vanity Fair contributing editor would need inside access. So what did he propose?
A detection dog-training center opens Tuesday, on the anniversary of Sept. 11, at the University of Pennsylvania so scientists can train dogs for search-and-rescue missions — and study what helps them succeed.
Bob Dylan made the rare mistake of talking about his creative process shortly before the release of Tempest. He told Rolling Stone that he'd originally wanted to write a collection of what he called "religious songs," saying, "That takes a lot more concentration to pull that off — 10 times with the same thread than it does with a record like I ended up with." Which means that either his powers of concentration failed him, or he became distracted by other themes, topics and moods.
Memphis has been a music town since anyone can remember, and it's had places to record that music since there have been records. Some of its studios — Sun, Stax and Hi — are well-known, but American Studios produced its share of hits, and yet it remains obscure. But that's all likely to change with Memphis Boys: The Story of American Studios, both a book and a CD out now.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Long before Bridesmaids convinced studio executives that a raunchy, female-centric comedy could find a huge audience, Leslye Headland was busy adapting her play Bachelorette into a movie. So this isn't a copycat rom-com, but the themes do overlap. Each film turns on a female rivalry: In Bridesmaids, it's between the maid of honor, Kristen Wiig, and the bride's rich friend, played by Rose Byrne. In Bachelorette, the rivalry is more complicated, more ... ugly. It's between the three, 30-ish, unmarried central characters and the bride.