It’s the New Year, and with it comes the excitement of change and things to come. Galleries are preparing for their newest shows, but for 2014 the Ulrich Museum is taking the bull by the horns with four new exhibitions opening in January.
In the upstairs Polk/Wilson Gallery, the sublime photographs by Richard Ross take an unblinking look at the conditions and treatment of American juveniles currently held in detention centers for the show Juvenile In Justice.
During the Christmas season, we are surrounded by images of Santa Claus-- yes, that jolly, rotund man with his famous white beard on a mission to deliver presents to children around the world. We see Santa surrounded by elves and reindeer at the North Pole, but where did this image of Santa Claus come from?
The Christmas décor in grocery stores and shopping centers gets trotted out earlier and earlier every year. Now, Christmas decorations replace the Halloween costumes and treats. This leap from skeletons to silver bells means that Thanksgiving is left to us to keep traditions with family and friends alive.
For many, part of Thanksgiving tradition is the post-turkey shopping on Black Friday. This year, I propose Black Final Friday – a local art extravaganza that the whole family can enjoy – as part and parcel to the finest of Thanksgiving traditions.
Top:Charles Lee, 'Dissipative System', 2010. Diamond ink jet print, 27 x 30 in. Bottom: Andrea Ackerman, 'Rose Breathing', 2003. 3D Computer animation, stereo sound, projector, 34-second continuous loop, dimensions variable. San Jose Museum of Art, Museum purchase with funds contributed by the Museum’s Collection Committee.
Credit Courtesy of Wichita Art Musuem, Bios Design Collective and the Art Works for Change traveling exhibition
On November 8th and 9th, the Ulrich Museum and the Wichita Art Museum team up for a joint symposium called Nature’s Impact, Art’s Force. While the title is a little awkward, the collective symposium appears intriguing, as it will tackle issues of nature, ecology and technology through the lens of contemporary art.
This week, I returned to the Wichita Art Museum eager to visit the exhibition: Learning to See: Josef Albers and The Interaction of Color.
This small exhibition pulls work from the museum’s permanent collection to celebrate the 50th anniversary of Albers’ now-classic publication, The Interaction of Color. Albers’ book and formalist artwork explore color relationships, asserting that how we perceive color is highly dependent on its surroundings. Albers’ assertion is correct, as evidenced by the unfortunate display of his work in the Vollmer Gallery.
Andrea Ackerman, 'Rose Breathing', 2003. 3D Computer animation, stereo sound, projector, 34-second continuous loop, dimensions variable. San Jose Museum of Art, Museum purchase with funds contributed by the Museum’s Collection Committee. Courtesy Wichita Art Museum.