Formerly a prefix, “meta” has now taken on a life of its own, indicating works that are self-consciously self-referential. Ben Zimmer, writing in the Boston Globe in 2012, notes examples in the tech field going as far back as the 1970s.
Friday marks the centennial of the birth of photographer, composer, filmmaker and author Gordon Parks.
Celebrations have been held across the country in his honor, including several events at Wichita State University. Parks' third wife, Genevieve Young, spoke Thursday at Wichita State, which houses Parks' personal papers.
Young was former senior editor at Little Brown and Company and vice president of Bantam Books. She edited Gordon Parks' writings.
This Final Friday, Go-Away Garage on South Commerce offers the show The Function of Form: New Works by Emily R. Brookover. The show is an eclectic collection of intimate drawings small enough to be doodles-- but they are so highly rendered, it would be a shame to call them that.
On March 18, 1990, a pair of thieves disguised as police officers stole 13 works of art from the Isabella Stewart Gardner Museum in Boston, Mass. Among the stolen were works by Vermeer, Rembrandt, Degas and Manet. Unsolved to this day, the heist provides the perfect backdrop for The Art Forger by B.A. Shapiro.
October Final Friday holds in store two incredible one-night-only shows that should not be missed. The first is at Diver’s Studio with a show titled Watch and Adsorb. That is adsorb with a “d” – a scientific word that refers to a surface-based process of molecules adhering together. This limitless process of surface tension sets the perfect tone for the work of James Porter and his collaborators, Franklin Ackerly and Texas artist Jeff Wheeler, for their Kansas debut exhibition.
Wichita State University Contemporary Art History Professor Dr. Royce Smith has organized and curated a small, yet potent show titled, Response to Provocation: Living Memoirs of the Culture Wars. Installed in the McKnight Art Center at WSU, this is a mature-themed show that draws connections between the Culture Wars of the 1990’s and today’s on-going social and cultural debates. The University serves as the ideal environment to have these productive discussions.