Her is certainly one of the most unusual love stories ever filmed, with Scarlett Johansson as a computer voice and an unrecognizable Joaquin Phoenix as a sort of nerd who falls in love with her, with Rooney Mara and Olivia Wilde in little support parts, and Amy Adams very effective in not much more.
American Hustle is an old-fashioned intrigue comedy in the tradition of The Sting, but with more concentration on complications of plot, as smart crooks eventually outsmart themselves-- if you read the story that way.
It starts with Christian Bale in charge of a fair-sized scam, and then his partner, Amy Adams, more or less takes over, and then a rather dubious FBI man played by Bradley Cooper gets involved, and from there we proceed to complications that eventually pretty much left me behind.
Out of the Furnace is rated by Entertainment Weekly as the eighth-best movie of the year, and it is well written, well photographed, well acted, and generally worth a lot of praise. It is a serious drama for grownup audiences.
But it is also thoroughly unpleasant, with unsympathetic characters, occasional ugly violence and some artsy camerawork that implies subtlety that isn't there.
Frankenweenie had several strikes against it before it even came on, so I consulted with no less than eight people about it after it ended, and must report that nobody, including me, rated it at less than three stars out of a possible four, with half giving it a maximum four. I don’t like Tim Burton’s stop-motion puppets because they are either spherical heads with tiny pyramidal noses or grotesque but too traditional caricatures. But you have to credit Frankenweenie with effective emotional expression whenever emotional expression is attempted. But only the caricature