Fisch Haus

Lindsey Herkommer DeVries

With April’s Final Friday came the opening of Fisch Haus’s women’s invitational XX/7. Originally, the show began with the selection of five female artists, all Wichita-based.

From there, each artist selected the next, and then that artist selected the next, creating a curatorial structure of chance encounters.

Paris-based Dorthée Davoise fractures stone in her Untitled black and white collages of outcroppings, and crystallizes new geological forms - as if distilling memory - on a pristine white pages.

Torin Andersen

For February’s Final Friday, Fisch Haus hosted a multi-media, interpretative art installation they called Shattered Telephone. The concept is a blend of the grade-school game "Broken Telephone" and, of similar structure, the Surrealist poetic technique called "Exquisite Corpse."

Fisch Haus’ event expanded these ideas to include actors, dancers, artists, musicians, writers, filmmakers, video artists, storytellers and a stenographer for big, Michael Bay-esque creative explosions.

Coming to the Wichita theatre community is the world premiere of Radiating Like a Stone, adapted by adapted by Anne Welsbacher and Gina Austin-Fresh from the book of essays, “Radiating Like a Stone: Wichita Women and the 1970s Feminist Movement,” collected and edited by Myrne Roe.