Pacific Rim qualifies as almost the ultimate special-effects sci-fi movie in that it involves almost no plot and includes almost nothing but robots and monsters the size of 25-story buildings. And it proves that you don’t need a plot to be illogical and inconsistent.
The Lone Ranger is first-rate for comedy in the beginning, action at the end, and a totally new interpretation of Tonto by Johnny Depp.
It falls short because its main plot seems intended to be separate revenge stories of the Lone Ranger's and Tonto's, but in the end turns into a railroad story; the interpretation of the Lone Ranger is lame; and it is inconsistent in tone and even topic.
The Heat is an unusual buddy-cop movie in that the odd couple cops are women-- it's also unusual in being very funny indeed, and has a plot that pretty clearly hangs together, though it does not particularly feature credibility.
The East is a superior movie partly because it is somewhat original, but mostly because it takes its subject and its characters seriously and skirts what would seem to be almost inevitable clichés.
There is nothing particularly new about Brit Marling, who also co-wrote the screenplay with director Zal Batmanglij, taking a job as an infiltrator of a subversive group that is sabotaging the efforts of a big corporation; but the treatment of the group is unusually and very effectively objective and serious.
Many moons ago, I read somewhere about Google's way of treating its employees, which was almost like pampered children-- with free food, and weight rooms, and office compounds very much like amusement parks.
Science fiction movies always are hard for me to discuss, because they go by rules that are obscure to me, such as those allowing amputations—and even death—to be temporary conditions. But let’s see what can be done with Star Trek Into Darkness.