Writer-director Richard Linklater took 12 years to make Boyhood, because he wanted to show the physical changes in Ellar Coltrane from his first day at school to his graduation from high school 12 years later. And the physical developments of Coltrane and his sister in the movie are fascinating to watch.
The Hundred-Foot Journey starts out rather unpromisingly, with violence in India and a tyrannical father and one of those tiresome young sons who seems to be in rebellion against everything (at least everything his father suggests).
One myth Hollywood will never give up is that a desire to be in show business is a divine calling never to be outgrown.
In Wish I Was Here, Zach Braff's character cannot support his family and apparently peaked his acting career with a dandruff commercial. His wife, Kate Hudson, asks him whether his dream of playing a costumed comic-book superhero is the only dream his family of four is allowed, and his father, Mandy Patinkin, tells him that at some point he has to support his family.
For a lot of people, “summer movie” means action, superheroes, things blowing up, buildings falling down.
I like that stuff, too. I won’t lie about that.
There’s another kind though. And I’ll admit that these movies play to a far smaller audience than those big-budget thrill-fests. But for me, they’re the kind of movies that really capture something about summer. The heat, the sort of aimlessness some of us feel without the constraints of school, and the real rhythms of life.
Two viewings of the movie and discussions with six other viewers failed to uncover anybody who claimed to understand Third Person. I suspect that a third viewing would have led me to a pretty complete understanding, but Third Person is nowhere near good enough to sit through three times.
But I can give you a few hints that might help you get through it with less bewilderment than the seven of us suffered.
Ten years after the action of Rise of the Planet of the Apes, we have Dawn of the Planet of the Apes. Surely, the dawn should precede the rise of anything, but let's not squabble with our blessings-- The Dawn is maybe even better than The Rise was.
In 1977, movie director William Friedkin was hot off the success of 1971's Oscar-winning The French Connection and 1973's The Exorcist, a massive commercial hit that also pulled in 10 Oscar nominations of its own.