Toward the end of World War II, the United States set up a military unit it never had before and unfortunately has never had since, a unit whose duty was to protect national and international treasures from the destruction of war. The movie Monuments Men is about the unit’s efforts, and while it is pretty fictionalized – watch for the closing credit on that subject - I’m glad somebody is drawing attention to what they did. But the movie itself is not very impressive.
The title The Invisible Woman suggests some kind of comic book sci-fi thing, but The Invisible Woman is actually the supposedly true story of the aging novelist Charles Dickens and an 18-year-old talentless actress for whom he risked his reputation, profession, social standing, home and family. But it never persuades us that it is really telling the story.
August: Osage County suffers only from too-close similarity to an all-time classic, Eugene O’Neill’s Long Day’s Journey into Night, filmed by director Sidney Lumet with Ralph Richardson and Katharine Hepburn in 1962.
Again we have the story of a disharmonious family revealing its emotional strains during a short reunion, with startling revelations of character but no real plot, made notable by excellent writing and marvelous acting, with this time a touch of unnecessary melodrama toward the end.
Her is certainly one of the most unusual love stories ever filmed, with Scarlett Johansson as a computer voice and an unrecognizable Joaquin Phoenix as a sort of nerd who falls in love with her, with Rooney Mara and Olivia Wilde in little support parts, and Amy Adams very effective in not much more.