The turntables are to hip hop what the guitar is to rock and roll. Or, more precisely, they are what the guitar, bass, drums and keyboard are to rock and roll.
Hip hop was born from the turntables, and through hip hop, the turntables were transformed from a simple playback device into an instrument that has been featured in countless jazz arrangements and even symphonies.
This is Glenn Gould’s famous 1981 recording of Bach’s "Goldberg Variations." If you listen very carefully, you can hear him singing along. He sang so loudly that his recording engineers often couldn’t avoid it being picked up by the microphones.
Rapper Kendrick Lamar’s new album To Pimp a Butterfly is as much manifesto and rallying cry as it is an LP. While it’s now difficult to listen to hip hop without hearing echoes of Ferguson, Mo., Lamar intentionally places Butterfly squarely in the center of that conversation. The online magazine ‘The Root’ called it the music of the Black Lives Matter hashtag.
She has been known as Katie Woodencloak, Aschenputtel, Cendrillon, and of course, Cinderella. Her rags-to-riches story has been told in books, stage, film, television, opera and ballet. There are versions of it from all over the world. The popular French version of the tale, written by Charles Perrault, is best known for supplementing the narrative with such details as the pumpkin-turned-coach, the slippers made of glass and the fairy godmother.
Masks are more than a flashy stage gimmick for the emcee and producer MF DOOM. The iron mask, first worn by his namesake, the comic-book villain Doctor Doom, serves as the central conceit for what is now a decades-long exploration of hip hop’s more formal, structuralist elements.
DOOM raps primarily in two bar couplets, heavily coded with slang, and layers and layers of abstraction and association, as in the dizzying verses of the song “Figaro”:
You’ve all heard about The Mozart Effect, the theory that listening to classical music will “make you smarter.” Whether or not research bears this out, the Mozart Effect has become a rallying cry for music educators and is even a trademarked way to sell CDs to parents hoping their kids would eventually get high-paying jobs.
I read an article criticizing the movie Whiplash that argued its violence is over-the-top and unrealistic— the movie positions violence as part of the relationship between student and teacher. The criticism was that the relationship was so rare as to be unrealistic.
Recorded music now makes so little money that some artists have gone to a completely different business model.
Musicians are now releasing their work for free in the hopes that their music will reach the ears of someone willing to put it in a movie, or that it will help promote a live tour or merchandise sales. This is called a “Creative Commons License,” and it grants everyone the right to freely distribute the work, provided they don’t sell, alter or claim it as their own.