Roots rock trio Moreland and Arbuckle has just issued its latest album, 7 Cities, which marks a number of firsts for the Wichita-based outfit. It’s the first time the band has recorded an entire project outside its home base, the first record to feature drummer Kendall Newby, and the first time the band has worked with an outside producer.
Four on the floor is certain style of drum beat where the bass drum is hit with a steady quarter-note pulse; four equal stomps on the foot-pedal per measure. It’s very different from older pop beats where the bass drum typically hits beats 1 and 3. It really came into prominence with disco in the seventies, a real departure from rock and funk. Four on the floor is popular now as the driving force of many kinds of electronic dance music.
Beau Thomas Jarvis holds an undergraduate degree from Friends University and a masters degree in Musicology from Wichita State University. He spent several years living and playing in Los Angeles before returning to his home base in Wichita. He has performed with Jean-Michael Byron (Toto), Doug Grean (Scott Wieland), The Lettermen, Benny Golson and Tim Orindgreff (Black Eyed Peas), among others. He currently teaches jazz piano, jazz combo, jazz big band, and aesthetics through music at Friends University and he plays with various musicians in the Wichita area.
Kylie Brown is a video producer, CreativeRush event curator, storyteller and a melancholy musician. She currently plays cello with The Broslyn Bards, Raging Sea and Everything and Nothing. She began learning cello at age seven, grew up in the classical world and participated in Wichita's Youth Symphonies; she became burned out and quit before her love of music diminished. After living and working in another state for seven years, she returned to Wichita, and ended up meeting musicians, artists, and poets who reignited this love of music.
Joey Henry is a storyteller. For the past six years he has been traveling the country sharing stories as the banjo player and one of three singer-songwriters for the Kansas-based trio, The Calamity Cubes, along with bandmates Brook Blanche and Kody Oh. When not touring with The Cubes, he focuses on his solo project, Joey Henry's Dirty Sunshine Club and occasionally gets back to his indie roots by providing words and vocals for the Lawrence based Old Canes (Saddle Creek records) and “noise banjo” for the Kansas City based High Diving Ponies.
Emily Deaver is a classically trained musician whose work includes work with jazz bands, an all-encompassing cover band, Annie Up, and a folk rock duo. A former Miss Kansas, Deaver is a graduate of Wichita State University, where she studied jazz piano. She has worked in television as a music reporter but is currently pursuing music as her full-time career. You can learn more about her via her website, http://www.emilydeaver.com