Global Village continues the March Women in World Music Feature with music from Spain’s Carmen Cuesta, Somalia’s Maryam Mursal, this year’s Juno Award winners for Best Jazz Album – Jane Bunnett & Maqueque, and birthday artists Astrud Gilberto and Norah Jones (with Anoushka Shankar from the Grammy-nominated Traces of You album).
On tonight's Straight No Chaser we hear a compilation of old and new. New selections from swing & bebop jazz guitarist, Russell Malone, and international jazz saxophonist Greg Abate. Some old features from "the King," Benny Carter, and legendary Oliver Nelson. Plus hear some slightly old pieces from four time Grammy award nominee Karrin Allyson.
Hear uplifting gospel music from singer/songwriter arranger and choir director, Thomas Whitfield. Known as the Maestro by colleagues and supporters, the Detroit native is credited with helping to shape contemporary gospel music with other musical styles from jazz to classical. He’s worked with artists including Yolanda Adams, Vanessa Bell Armstrong, Quincy Jones, and Aretha Franklin.
Crossroads wraps up the March Sister Rosetta Tharpe/Gospel Blues feature with a classic from Tharpe with Marie Knight and an early recording she did with the Lucky Millinder Orchestra, along with music from Sister Wynona Carr, Otis Clay, the Golden Gate Quartet, and in hour two of the show, a special performance from the acclaimed sacred steel group, the Campbell Brothers.
Plus music from artists with concerts in the coming week and from Steve Hill, the winner of this year’s blues Juno Award.
Night Train celebrates birthdays of vibes players Dave Pike and Stefon Harris, and smart songwriter Dave Frishberg. There’s also more music from March featured artists Charles Lloyd (the first recorded version of “Dream Weaver” from a newly released album of previously unreleased concert performances) and Clark Terry (with singer Dinah Washington and pianist Oscar Peterson) – and in hour two, a special with Stefon Harris at Symphony Center.
Global Village marks birthdays of eclectic vibes man Dave Pike, mandolin master David Grisman, and world- rock artist Damon Albarn. Plus music from flamenco great Paco de Lucia’s last album and more women in world music for the March Women’s History Month feature – including international star Angelique Kidjo and flamenco singer Estrella Morente.
Chris Wise, the bassist for the band Buxton, says four albums and more than a decade into its career, the group is more solid than ever. Some of that comes down to him, and his bandmates finding time to connect with each other and to reach compromises.
When the Houston-based band entered the studio with producer Thom Monahan last year to record the album Half A Native, the band was determined to have a good experience and allow Monahan—whose previous credits include Beachwood Sparks and Devendra Banhart—to guide the sessions as he saw fit.
Christian Lee Hutson spends at least half of each year on the road performing concerts all around the United States. That doesn’t leave him a lot of time to write songs. So, a few years ago, he began using the idle hours of travel by himself as a kind of workshop. The results—many of them, at least—can be heard on his new album, Yeah Okay, I Know.
This week we look back to one of the first shows recorded for New Settlers. Dan Crary and Beppe Gambetta, flatpickers-extraordinaire, pushing the boundaries of bluegrass and acoustic music. Dan and Beppe have well-established solo careers but when they perform together, it’s wonderful. They’re favorites at the Walnut Valley Festival in Winfield but we recorded them in a much more intimate setting - St. Anne’s Episcopal Church in McPherson.
Released in 1985 Bad Moon Rising was the second full-length album from Sonic Youth. Despite the band having formed in New York City, the music on this album is focused heavily on Southern California—especially the dark underbelly of Los Angeles in the late 1960s as the counterculture’s dark side came to light. We’ll hear selections from this release as well as from Strange Angels, the 1989 release from performance artist and musician Laurie Anderson. The record was remarkable for Anderson’s new attention to her voice and more traditional song structures and its wide range of guest artists, including jazz vocalist Bobby McFerrin.