In an interview, short story writer Charles Baxter explained that, “the short story begins when things start to go wrong.” Elsewhere, he maintained that, “no story can keep a secret. A writer needs to find the secret and bring it to the surface.”
If measured by his own comments, Baxter’s new collection, There’s Something I Want You to Do, is triumphant. Set mostly in Minneapolis along the Mississippi River, the 10 stories are divided into two sections-- one devoted to virtues and the other to vices.
Internal Medicine by Terrence Holt is a compilation of nine stories that loosely reflect Holt’s experience as an internal medicine resident. Each story is a compositely drawn case, just as Holt’s protagonist, “Harper,” is an amalgamation of his fellow residents. Holt remolds the medical cases, he says, “according to the logic not of journalism but of parable, seeking to capture the essence of something too complex to be understood any other way.”
B.J. Novak cut his writing teeth on comedic TV scripts, most notably for "The Office" where he also played Ryan Howard.
Eventually, he got a book contract. Instead of a comic memoir, Novak set to work writing short fiction in One More Thing: Stories and More Stories.
Novak’s father was a ghost writer whose book Iacocca sold millions of copies but only paid a flat fee—from this, Novak learned how to negotiate the publishing world. He landed a six-figure, two-book contract with the most prestigious literary publishing company, Alfred A Knopf.
Named by the National Book Foundation as one of five authors under 35 to watch, Molly Antopol has distinguished herself as master of the short story in her debut collection The UnAmericans: Stories.
Antopol’s stories are mostly of American immigrants relocating for political reasons, but are not familiar tropes of an immigrant story. The humanity and vulnerability show how the universal dynamics of family and romantic love are equally nurturing, distancing, tender and messy.
While you shouldn't judge a book by its cover, the illustration on the cover of the The News from Spain by Joan Wickersham is somewhat telling of what's inside. A single red ribbon on a black background ties each of the stories together through theme and repeated phrases. The ribbon flows with no bows or knots, bleeding off the page. Similar in design, these stories are not wrapped in tidy packages. Sometimes they begin with no introduction and end abruptly, leaving the reader to speculate about what will happen next.