Movie Review

Veteran movie reviewer Jim Erickson shares his no-holds-barred opinions on Hollywood's best efforts. Tune in every Thursday for the latest review.

Snowden is not as propagandistic as I expected it to be, being an Oliver Stone movie about a big political issue; but it isn't particularly effective as either message or entertainment.

One of the main problems faced by Clint Eastwood as the director of the movie Sully is that the famous episode of Captain Chesley Sullenberger discovering that his airplane was disabled and managing to turn it around and land it in in the Hudson River lasted a total of 208 seconds.

The Light Between Oceans ​was a joy to me in so many ways. For one thing, it had a genuinely linear plot, one in which every succesive episode developed from the one before it, instead of just being one of a series of incidents that could have been in any order, like the ones in Mad Max: Fury Road or even Nebraska.

"Don't breathe," because the man is blind and can't see you, but he's about three feet away and he's killed one of you already and is trying to kill the rest. That's the basic situation of the new thriller Don't Breathe, and there isn't much more to the plot than that.

The classic Charlton Heston movie Ben-Hur won eleven Academy Awards, and it might seem that a new version is little in demand. But the 1959 version was about four hours long, and the new Ben-Hur is about half that and, if not Oscar caliber, is a pretty good movie in its own right. And it cost $100 million to make. So even though it's somewhat faith-based in its story, it's well worth a look.

Florence Foster Jenkins is a couple of hours with people you like who are doing things that make you cheer them on.

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If all you want is a couple of hours of steady boom crash wham bam, "Suicide Squad" is the movie for you. However, boom crash wham bam is all you're going to get.

The plot is the same old Dirty Dozen schtick about the squad of death row criminals let loose to do a dirty job for the government, combined with the old bit about rescuing the hostages that are being held by the REALLY bad guys.

Nerve is a consistently entertaining thriller and a typical example of some of the dominant trends of current movie making.

Lights Out is an example of that rare and beautiful thing, a superior low-budget movie that depends for its effects on suggestions of things that lurk in the shadows and baffle the understanding, but never become clear enough to be understandable.

"The Infiltrator" ​shook me up enough that I dreamed that night about an undercover man who turns into a positive monster. Which is ironic, because Bryan Cranston is not personally corrupted by his years as an undercover man pursuing a Colombian drug cartel. 

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