Like this year's Heaven Is For Real, the newly released Alone Yet Not Alone is a supposedly religious movie that is almost without religion.
The one-sheet poster says, "Their faith became their freedom," and the end notes identify one support character as, "the patriarch of the Lutheran Church in America," but in fact there is little reference to God or faith, even when prayer would seem to be called for.
Both The Rover and The Signal are sort of road movies, though The Signal eventually turns into a sort of science fiction movie, and both of them end with sort of surprises, which in neither case is very satisfying.
How To Train Your Dragon 2 is a typically enjoyable, superior animation with most of the usual pluses of the form and only a few typical minuses. It's conventional in story and thin on characterization, pictorially beautiful, generally comic, and modest as to any ambition beyond entertainment.
Belle is a very compact and complicated movie, and if your hearing is as bad as mine, you will want to ask the ticket booth for a free set of headphones because you won’t want to miss any of the dialogue, which is so well written that you’ll have no trouble following the numerous plots and themes.
Belle, beautifully played by Gugu Mbatha-Raw, is an orphan, mixed-race, and a love child born out of wedlock, and all three conditions are important as she comes to live with Tom Wilkinson and Emily Watson in England in 1769.
Fading Gigolo is a four-star movie, or almost, and a good deal different from what you might expect.
For one thing, Fading Gigolo is written and directed by John Turturro-- Woody Allen co-stars with Turturro , but neither writes nor directs. And while the premise is Allen promoting and managing Turturro's career a companion with privileges for lonely women, it is not particularly sexy.
There would seem to be some disagreement about the new horror movie Oculus. I would give it a top four stars, the Wichita Eagle gave it three, and the three ladies I talked to after the show varied from one who gave it four out of a possible five, and the other two who gave it between two and three.
The Other Woman is a revenge comedy for women, who will probably enjoy it a good deal more than men-- for one thing, because they will probably see Nikolaj Coster-Waldau as more of a villain than men will and more deserving of what happens at the end, which is a little out of tone with most of what has gone before and descends into terrible taste, though the audience kept laughing. And The Other Woman is mostly about sex, but the ending is mostly about money.